Early in his career, the young Pierre Simon developed a strong aesthetic that he cultivated throughout his life. Featuring three optical sizes, PS Fournier is designed to perform in any context.The Pierre Simon Fournier heritagePierre Simon Fournier (1712-1768) was a leading innovative type designer of the mid-18th century. PS Fournier elegantly represents the transition to the modern era of typography. Fournier was the prolific Parisian type designer whose work is best known for its iconic representation of French transitional style. Style and elegance in 14 stylesPS Fournier, created by StГ©phane Elbaz, is designed in tribute to Pierre Simon Fournier. He commented widely on the social scene, literature, music, prominent politicians and contemporary movements.Creative Review Type Annual 2006Tokyo TDC 2018 Known as the вЂњSage of BaltimoreвЂќ, he is regarded as one of the most influential American writers and prose stylists of the first half of the twentieth century. Affirming his irreverence, the Mencken typeface does not offer these typographic gadgets.Henry Louis Mencken (1880 - 1956) was an American journalist, satirist, cultural critic and scholar of American English. Because he felt Americans did not recognize irony when they read it, he proposed the creation of a special typeface to be called Ironics, with the text slanting in the opposite direction from italic types, to indicate the authorвЂ™s humour. According to the London Daily Mail, Mencken ventured beyond the typewriter into the world of typography. MenckenвЂ™s journalistic contributions to The Sun.

The Mencken was well received, some reader responses was particularly enjoyable: вЂњItвЂ™s easier to read with the new type even though the type is designed by a French.вЂќWhy it is called Mencken?The name Mencken is a tribute to H. At the time of its implementation, a survey of the newspaperвЂ™s readers has revealed that its previous typeface, drawn in the mid-1990s, was unsatisfactory. As usual, she was looking for new typeface options in order to distinguish the redesign that she had started. The story started with a simple email exchange with Lucie Lacava then in charge of redesigning the American East Coast newspaper. Lucie Lacava and I followed the idea launched by Matthew Carter few years ago for some of his typefaces intended for publications.From Baltimore SunвЂ™s project to TypofonderieвЂ™s MenckenIt is a bespoke typeface for American newspaper The Baltimore Sun started at the end of 2004 which marks the beginning of this project. Vertical proportions (x-height, capitals height, etc.) were calibrated to be compatible with many Typofonderie typeface families. On the other side of the spectrum, Mencken Head (and narrow variations) is designed on a vertical axis, high contrast, in a contemporary Didot style.The Mencken is therefore a typeface answering to different sorts of uses, whose design is different according to its uses: from oblique axis in small size to vertical axis in large sizes. Its capitals follow Didots to better harmonize the rest of the family. Firstly, Mencken Text is a low-contrast transitional typeface, designed on an oblique axis, asserting horizontal with featuring open counters. Mencken is unique because it is designed according to different axis and optical sizes. It falls into the same category of type classification, while presenting different x-heights or contrasts. Generally, optical size typeface families belong to a same common construction.

An American Scotch remixed in 27 fonts Mencken has twenty seven styles, divided into three widths, three optical sizes, romans and italics.

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